Book Quotes - Page 551

I think it's true to say that in 1973 I could read every book of poems that was published in a year, and I did.

If you read three books a day you couldn't read all the poetry that's being published.

My first book was published when I was thirty-two, so I think it was basically finished when I was thirty or thirty-one. And so then you think, "Well, what have you failed to do?" And my answer to myself was almost everything.

When Emily Dickinson's poems were published in the 1890s, they were a best-seller; the first book of her poems went through eleven editions of a print run of about 400. So the first print run out of Boston for a first book of poems was 400 for a country that had fifty million people in it. Now a first print run for a first book is maybe 2,000? So that's a five-time increase in the expectation of readership. Probably the audience is almost exactly the same size as it was in 1900, if you just took that one example.

You only had widespread literacy and books that people could afford in the middle of the 19th century. Did more people read poetry at the turn of the 20th century when there were about fifty million people?

It seems like every ten years there's a book that says that poetry used to be popular, and now it's not, but we really have no way of knowing, in terms of relative size of audience and other things, exactly who readers were.

A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.

My greatest wish is that a certain way of looking at the world, a way I show in all of my books, gets into my readers' heads, and slowly alters their perception.

The problem is the book business is changing so we're in a difficult moment now and if the business model is changing, I don't know if I'm going to have to look what's in store for me at that level but fortunately, I broke in earlier.

Early on in life I knew that I was a writer, that I just wanted to write, I love books, I love literature and after graduating college, I kind of wandered around in Europe learning languages and writing novels and never led anywhere. And then I got into like journalism in New York as a way to kind of maybe find my way into the field and it wasn't a good fit. It just wasn't right for me.

One person reads the book, and cannot help telling a friend. That is vastly superior to any kind of advertisement, or clever magazine article. That is also the great power of the internet, where people share their opinions without the annoying screen of the media, and so much of the presence of my books has come from the Internet. It's a new era, a new form of war, and I embrace it.

As a writer you know you don't have to deal with a lot of the crap that most people deal with, the political things. Every couple of years when your book comes out then you have to go into these fights with the publisher and the publicist and that's it.

There are treasures in books that all the money in the world cannot buy, but the poorest laborer can have for nothing.

All religions are inconsistent with mental freedom. Shakespeare is my bible, Burns my hymn-book.

I admit that books were voted in and out, and that the Bible was finally formed in accordance with a vote.

There is nothing in your budget for joy. No books, no flowers, no music, not even a cold beer. And there is nothing in your budget to give away to someone else. We don’t help people who don’t have better values than you do.

Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspectthey differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.

Poetry should be common in experience but uncommon in books.

The first thing I do in any town I come to is ask if it has a bookstore.

The Quest for Prosperity is an important book. Written with verve and clarity, it reflects a deep understanding of global economic issues, and proposes practical solutions that anyone concerned with the plight of the world's poor would be wise to read.

I want to write the sort the book that my people want to read, even if the market is small.

As president of the American Historical Association, I started a programme to make dissertations into e-books in 1999. Before I knew it, I was involved in other electronic projects. Harvard invited me to become director of the libraries in 2007.

In 2002, Google began an ambitious project to digitize every book in the world. It was intended as a search project: type in a query, and Google would show you snippets. They asked university libraries for books, which they would scan for free. At Harvard we didn't permit them to take works under copyright, but other libraries gave them everything.

As a graduate student at Oxford in 1963, I began writing about books in revolutionary France, helping to found the discipline of book history. I was in my academic corner writing about Enlightenment ideals when the Internet exploded the world of academic communication in the 1990s.

I love the fact that you collaborate with your readers when you write a book.