Book Quotes - Page 544

I read the 'Deadpool' series back in the '90s. I'm not, like, a huge comic book reader, per say, though. I'll check out 'Archie' when I'm in the grocery line, but that's about it.

I don't think it's necessarily 100-percent true. But comic books have infiltrated the mainstream Hollywood in ways that I don't think I ever would have seen or thought imaginable a while ago. But it's also cyclical. You saw it in the '80s when it became kind of huge again. And then it disappears for a while, then it comes back again, then it disappears for a while. So yeah, there's something about that.

I got caught cheating a bunch of times, well now I'm not drinking but you think just because I say, "Oh I'm not cheating on you" that that's good enough? No! It's about action and I think it's the same way with God. It's about action, it's about the way you live your life and how you carry yourself and that's what God sees. I think people should take a page out of that book when they make their decisions and do things... and I think that the world would be a better place.

There will never again be a day exactly like today. There will never again be a moment exactly like this moment. After my next birthday, I will never again be the age I am right now. After midnight tonight, today will be part of history. Someday I'll be dying and I'll wish I'd done all the things I want to do now. Someday I'll be dead and I won't be able to do anything. But today, right now, I'm alive. And yet I'm writing nonsense on the back of my literature book. But I'm alive. And yet I'm just sitting here. But I'm alive.

I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.

The study of tools as well as of books should have a place in the public schools. Tools, machinery, and the implements of the farmshould be made familiar to every boy, and suitable industrial education should be furnished for every girl.

[T]his free and easy old-bachelor sort of life is quite full of fun and jollity. Pease and myself room together; and everything like order and neatness is banished from our presence as a nuisance--old letters and old boots and shoes, duds clean and duds dirty, books and newspapers, tooth-brushes, shoe-brushes, and clothes-brushes, all heaped together on chairs, settees, etc., in dusty and "most admired confusion." Now, what is there imaginable in clean, tidy private life equal to this?

An unfinished book. left unattended, turns feral, and she would need all her focus, will and ruthless determination to tame it again.

Writing a book is a way of thinking to me, the only way of thinking that I have found successful.

Not surprisingly, the chief way self-published authors get the word out about their books is through the Internet.

In a world that holds books and babies and canyon trails, why should one condemn oneself to live day-in, day-out with people one does not like, and sell oneself to chaperone and correct them?

The book 'Do You!' is about your inner voice. And when you connect to that voice then you - then the freedom comes. And we're only here to be happy. So happy makes money. Money doesn't make happy.

I've always remembered this quote from a book that I read as a kid. It was something along the lines of "What's scary is not necessarily what goes bump in the night, but that which whispers at midday." And I've always held that. The day can just be as scary as night.

I mean, of course, I love sci-fi and stuff like that, but I'm not, like, a comic book crazy guy.

When I write a book, I don't have a plan or an outline. The characters move the action, and the action develops the characters. When I write a book, I become an actor, really, taking the role of the person who is speaking or acting at the time, and so their reactions to whatever they see are my reactions.

I get letters from two kinds of readers. History buffs, who love to read history and biography for fun, and then kids who want to be writers but who rarely come out and say so in their letters. You can tell by the questions they ask - How did you get your first book published? How long do you spend on a book? So I guess those are the readers that I'm writing for - kids who enjoy that kind of book, because they're interested in history, in other people's lives, in what has happened in the world. I believe that they're the ones who are going to be the movers and shakers.

With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.

Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.

I'd like to ask Eleanor Roosevelt what she regrets most, because I think that might reveal something that I didn't catch on to while I was writing my book and, hopefully, that would start a conversation.

I read the bible often, not just to prepare for "Noah". I believe it is a very important book.

The way I feel about every book is this: you don't finish it, you abandon it. All of my books have in some sense failed, otherwise I wouldn't write another one. If I wrote the perfect book, I wouldn't have to write again, and I wouldn't want to. That's not true for everyone, but it's true for me. I could walk away then. But so far I haven't managed to do it.

The early commentators who put down the pre-presidential Roosevelt as an empty-headed young lightweight, all ambition and no talent, now seem comically wrong to a modern book-reading, movie-going, television-watching, legend-loving American public conditioned to think of him as one of the presidential giants on the order of Washington and Lincoln.

Donald Trump has defied practically every playbook or blue book technique in dispatching an opponent.

These people that write books on how to succeed and how to think positively make millions because it's something that doesn't occur naturally.

You'll never go to the library and find a book on how to fail, because we all do it.