Book Quotes - Page 536

[He Stopped Loving Her Today] is all about the experience of being alive and the thought process of consciousness, and then you have these polemical essay-type things going on for a couple decades now. Some of these music books are where you're going to see an anecdote of a person behaving without some kind of commentary.

With my stuff, I think I've tried. I've been courted. I don't want to sound like an asshole, but I've been courted to be someone who could sell a lot of books.

This [Thelonious Monk: The Life And Times Of An American Original] is another one of those books with the perfect blend of anecdote and analysis. The analysis is built into the anecdote. It has that right feel about it. It's not too scholarly, either.

Most book things now (with a few exceptions) are just built around nice, safe books written for nice and safe book club readers. These are usually the books you see on display at Barnes and Noble. These Internet writers are like literary terrorists to me. They're training as we speak. They're getting ready to invade. They're building an army.

This is where you and I are headed.... Look for us in history books and you'll find us in the margins. Look for us in legends and you might just find us celebrated

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

Metal guys are huge nerds. A good percentage of them are either horror or sci-fi or comic book or fantasy nerds.

I read more books than you can imagine on all sorts of odd topics, which is something that I love.

Romantic dramas? I love The Notebook. Titanic was great. Classic.

I have always wanted to do a book about actors because I think that the death of a character is a tremendously emotional experience.

Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.

For years (decades even), I genuinely believed that world would beat a path to my books and stories, but eventually, as everything I wrote went rapidly out of print and stayed there, I wised up and started assembling them in e-format editions...

There is a big difference between wanting to say you wrote a book, and actually writing one. Many people think they want to write, even though they find crafting sentences and paragraphs unpleasant. They hope there is a way to write without writing. I can tell you with certainty there isn’t one.

If entrepreneurs were running schools, instead of bureaucrats, schools would be teaching a lot more of the skills and mindsets found in this book. Since they're not, this book is a necessary antidote to a traditional college education.

We like to keep the show small. Honestly, where we moved the show to the UCB theater, we moved it to a smaller space. Even though the show has technically gotten more popular. And that is, only because we like intimacy and the ability to experiment more. We don't want to be like, "We can get 250 people in a week. So let's do that. But we have to be careful about who we book..."

These days it seems like any idiot with a laptop computer can churn out a business book and make a few bucks. That's certainly what I'm hoping. It would be a real letdown if the trend changed before this masterpiece goes to print.

E-books are impervious to analogy.

If you're following the news, you know that the major religions differ in their interpretation of the holy books. For example, one way to interpret God's will is that you should love your neighbor. An alternate reading of the holy books might lead you to rig a donkey cart with small mortar rockets and aim it at a hotel full of infidels. In summary, po-tay-to, poh-tah-to. Religions are very flexible.

Real life is physical. Give me books instead. Give me the invisibility of the contents of books, the thoughts, the ideas, the images. Let me become part of a book. . . . an intertextual being: a book cyborg, or, considering that books aren't cybernetic, perhaps a bibliorg.

I think about stories and their logic and wonder if there can be any such thing as simply "there is a book.

I love books that rhyme. And I love books that are clever and have little lines in them that are meant to amuse the parents who will no doubt be reading the book over and over and over again.

Today there are a huge number of think tanks working on poverty-related issues; there are books written on the topic; and university centers being created to study poverty. But, at the same time, the media has a terribly hard time with this issue; it's very hard to convince editors and publishers to devote resources to complex investigations of the lives of America's poor. And, as a result, too often poverty is portrayed in stereotypes, in sound bites, in a few pat images rather than in its full Technicolor complexity and diversity.

There are different reasons why people write: for themselves, or for other writers, or to get prizes, or keeping an audience in mind. In my case, it felt really nice that a certain type of readership read the book and liked it, even though my readership is not as wide as certain popular books.

My books serve as archives of thoughts and emotions, like a tonal history that captures how I felt at a certain time of my life. It's not very informational. You're not going to get comprehensive knowledge about the Han dynasty of China or about India's Emergency. But you might learn how one person felt about the Los Angeles Olympics.

As a non-western artist, you have to ask yourself a question fairly early in your life: do I want to become a bridge maker, do I want my culture to be understood by the west? I have no intentions of doing such things. I'm fine being a little strange to a non-western audience. It doesn't bother me if my book doesn't change a generation of American readers.