Book Quotes - Page 518

Speaking as a writer, I'm not interested in trends, I want to write books that are honest, with characters as true to the inner world of the story as I can make them.

Sense of smell, of course, is only one of those dog qualities that can't be replicated or improved upon. I've been researching dogs in warfare for my book about 'Rin Tin Tin,' and I've read many accounts of their heroics: carrying messages through battle, alerting troops to enemy planes, and even parachuting behind enemy lines.

They will be given as gifts; books that are especially pretty or visual will be bought as hard copies; books that are collectible will continue to be collected; people with lots of bookshelves will keep stocking them; and anyone who likes to make notes in books will keep buying books with margins to fill.

I can imagine a future in which real books will exist but in a more limited, particular way.

Every single one of my books had its title changed almost as we were going to press, for all sorts of different reasons.

I'm much more willing to buy a novel electronically by someone I don't know. Because if halfway through I think, I don't really like this, I can just stop. I can't throw books out, even if I think they're crummy. I feel like I've got to give it to the library. I've got to loan it to somebody, or I keep it on my shelf. It's like a plant.

I wonder what book signings will be like when most of the books we read are electronic. Will authors sign something else? A flyer, perhaps? A special kind of card devised for the purpose?

The woman who became the Duchesse d'Angoulême did indeed have painful memories, but she was not only very brave but I would say she had "nerves of steel." As I wrote in the book, one woman, defeated, one woman, defiant.

Dissecting a book was the same as making sense of life. You have to find a way to interpret life, or you'll go nuts.

The key word for my book The Woman in Black is unsettling... because you're not terrified all of the time or even frightened, but you're unsettled and once you're unsettled, then the door's open.

Susan Bordo’s Unbearable Weight is a masterpiece of complex an nuanced thinking not only about a significant problem that faces women but about our culture. A very valuable book.

I think the market is always going to be around. The goal is not to say, let's get rid of the market, because the market does render a huge number of services, and I don't want to have a fight about the price of something every time I buy a book or a bottle of water.

Laura Alicia Deverell was born on May 10th, 1862, at precisely a quarter past one o'clock on a Thursday morning. Those interested in that pseudo-science astrology or astromancy may trace her life and character, if they wish, among the stars, where no doubt it is all written.

Crises have a way of thrusting into the limelight hitherto obscure persons, and giving them, for a long or short period, a leading role.

I always want to try to bring something fresh to every book. It's getting harder instead of easier. I feel like I work harder with each book. But I don't want it to show on the pages, that's for sure.

The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.

Every girl should have this-the little black book for career success!

There were a number of books about Bill Wilson, and by him, but a lot of the basic biographical tasks had not been done.

While I was writing my book, I got a top police official in Bombay an invitation to study terrorism at the Rand Institute in Washington DC. This would have helped the city enormously, as he was the detective who cracked the '93 blasts case. But the commissioner declined to let his subordinate take up the offer from Rand, because of his fear that it was CIA-affiliated. That culture of suspicion needs to change; India needs to learn how other democracies fight terror.

Talk about burning books and burning bushes, I think that reading an effective novel can be like being immersed in fire and emerging as something a little different.

To be honest, I don't know. I started one [book] back in 1982 or '83 when I first retired. But I was only 25 or 26 and not ready to write my memoirs.

My father taught me to love detective fiction writers such as Raymond Chandler. When I decided to have a hard-boiled detective series I did a lot of studying before I wrote the first book. I learned police procedure, the California criminal law, and many areas outside my expertise.

You write one book and you're ready for fame and fortune. I don't know that people are spending the time and attention on learning how to write-which takes years. Everybody sees the success stories.

School was a source of great suffering to me, but once I learned to read, I disappeared into books, where I was a happy visitor to all the worlds that sprang full-blown from the printed page.

I read the paper every day. There are certain subjects that will catch my attention. I have an entire file of articles. Of course I make up the story, especially since most criminals are not very smart and fictional crime must be clever. I have to make sure the story I am telling is interesting and realistic. In this book I went on line and found out the manners of codes. I thought it interesting to use them as a jumping off point.