Book Quotes - Page 500

I don't want to try to live up to someone who's created something so incredible. I'm just trying to focus on what I'm doing and what I do best. It's sometimes hard to focus in and only think about my books rather than how they measure up to someone else's.

Seeing people who are actually reading your book and listening to the wide variety of reactions they have to it, is really special.

The only thing I hope for is that, regardless of what the outward world is for different people, different nations, I hope their internal world is similar. And if I, hopefully, have managed to somehow describe my inner world in this book, all I count on is that it will have some resonance among the American readers, or, at the very least, the American readers will treat this book as a kind of a guidebook for my inner world, strange as it may appear.

At some point, sitting in the school library, during reading period, I looked up from my leopard print hardcover composition notebook where I was scribbling a derivative [John Ronald Reuel ] Tolkien epic full of purple prose in tiny handwriting and thought to myself, "Damn! I am a writer! How did that happen?".

I relished the sweet sense of keeping a unique secret in my mind - a wonderful magical universe that I could go to any time, any place, and no one had to know. It was my personal place, better than any I've read about in any other book. And when I wrote, I was in the process of pulling that personal universe out of nothing and into the cold reality of the greater world.

In Lords of Rainbow I start out by taking away color from the world, and in the process show color's vital place in our lives. At least I hope that by the end of the book it's a portion of what the reader comes away with - a sense of how much color perception enriches our lives and how its lack can make our sensory experience incomplete.

I'm fortunate enough to get to make books for a living, so I spend my entire workday alone in my studio quietly doing my favorite thing in the world. When I need a break from that, it's usually because I'm desperate to see other human beings again!

In animation and comics, the viewer breezes past the drawings. But with picture books, each page is going to be stared at and touched and read over and over. Maybe even chewed on a little. Everything needs to be thoughtful and economical, thirty-two little masterpieces.

When it comes to books...They're like lifelong friends to me; I need to know they're there, even if I don't check in with them on a regular basis.

I would rather preach one sermon than write a thousand books.

The book is here to stay. What we're doing is symbolic of the peaceful coexistence of the book and the computer.

Students at residential universities often live together and spend time on activities that aren't connected with the university. Then, should the university's rules about sexual consent extend to students' private lives? In my book, I argue that these narrow rules should extend to students' private lives no matter what or where they happen to be conducting those lives. The logic is that sexual assault is a form of discrimination and denies the victim an equal education. The point of university life is to get that diploma and nothing should stand in the way.

I think my style changes somewhat. The themes I am interested in exploring are mostly the same, but I tackle them differently. My Younguncle books are at the surface comic adventures of the eccentric title character but they are also serious beneath the fun and frolic. And I use Big Words, like "ambrosial," which bothers some children's book reviewers. The children's short stories you mention are mostly quite serious.

Whether you're writing a book or a song or whatever, you've got to be involved in it. It's got to come from the heart I think...that's what it's all about.

There's a lot of sub-conscious stuff you may write but you don't then suddenly sit down and take out your analytical books and say: I'm determined to find out where this came from. You'd probably be wrong anyway.

J.P. Donleavy - now he's one writer I am consistent with. He's written books that I can definitely connect with. He has amazing insights which other people missed out on. Even with his descriptions of Northern Ireland.

A timely and incisive look into the history, politics, and future of the Muslim Brotherhood by the foremost expert on Islamism in Egypt. Carrie Rosefsky Wickham has constructed a detailed account of how the Brotherhood confronts the challenges before it, and why and when it embraces change. Everyone concerned with the future of Egypt should read this book.

Literature is a peculiarly public product of a particularly private endeavor.

During the process of writing the book, I had this experience that was telling for me. I got it and the basic idea and got the plots and everything, but I wasn't sure who the audience was. I exist in this other world - in the book publishing and magazine world of people who would make fun of this project. We were driving home after two weeks in Maine, and we stopped in a gas station in Massachusetts and saw that Snooki had just been arrested. It was a surreal moment. My last few weeks were spent trying to get in this person's head, and there she was in on the cover of the New York Post .

You get up and, first thing in the morning, you do your 500 words. Do it every day and you’ve got a book in eight or nine months.

I feel that at any stage of my literary career it could have been said that the last book contained all the others.

Whatever extra there is in me at any given moment isn't fully formed. I am hardly aware of it; it awaits the next book. It will - with luck - come to me during the actual writing, and it will take me by surprise

A lot of the main audience thinks video game-based movies are always horror movies but it's totally not true. In video games you have adventure, sci-fi, horror, action and even comedy. I think that people should accept more that video games are kind of like the best-selling books of the new generation.

Of course there are a lot of books that are interesting to make movies out of, but on the other hand, I think video games are also kind of like bestselling books for the younger generation, and the younger generation is the one going to the theaters.

The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.