Book Quotes - Page 485

He's this amazing ambassador for all superheroes. What we've made as a film not only examines that but is also an amazing adventure story. It's been an honor to work on. As a comic book fan, Superman is like the Rosetta Stone of all superheroes.

Look, if you have a problem with distilling the Battle of Thermopylae down to freedom versus tyranny, you need to read Herodotus because he's the one. It's his fault, not modern culture's fault. He did it.' [Victor Davis Hanson] references a lot of things like that because he feels like the spirit of the book and of the movie ["300"] are very close to the Spartan aesthetic. That's really kind of what he feels."

When I was a kid, I used to be way more nerdy about comic books and comic book characters. I still love them, but I don't collect anymore.

I read graphic novels, here and there, but I'm not a comic book guy, as much.

As far as comic books are concerned, I was always a Marvel guy for the most part, although I did follow DC a little. I don't know, honestly I'd just like to play whatever role [that] not just the studio, but the fans think I fit the best into. Because I think, especially in worlds like that, you've really got to do right by the fan base and stay in tune with what they are looking for and what they desire. I would just want to do right by them.

I am a huge comic book nerd and video game nerd, so to get to actually play one of those characters would be off the chain. It would be amazing.

The music starts as being way separate from the lyrics, and I write - I have notebooks that I fill with drawings and just words, and stuff that I've written.

I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.

I really knew almost nothing about Silicon Valley. I read that Steve Jobs book and watched a bunch of documentaries, and read the book about Mark Zuckerberg. I tried to learn some stuff, but there are consultants on the Silicon Valley show that know so much about it where you can get answers. To me, it's more important to get the particulars about that type of person as opposed to the specifics of the technology world.

I really couldn't say how famous I really am, that's for the history books to decide. But I'll probably be pretty up there.

It really is fascinating stuff, and I've picked it up on Scrubs. Memorizing lines is at least as hard as studying a text book, I mean, by this point I know about as much as most 'real' doctors.

I'd like to think that my scripts are more significant than maybe the Bible or the book that the Jews use, whatever it's called. And that's only when I'm having an off day.

Books make dangerous devils out of women.

Professors of literature, who for the most part are genteel but mediocre men, can make but a poor defense of their profession, and the professors of science, who are frequently men of great intelligence but of limited interests and education

The passion to condense from book to book Unbroken wisdom in a single look, Though we know well that when this fix the head, The mind's immortal, but the man is dead.

If you're just starting off as an artist, steal as much inspiration from everything you like, as much as you can. Take from books, from poets, from musicians. Just steal stuff from all over the place and then mix it up to make something of your own.

I travel a lot, so when I arrive in a city, I like to go to good local bookshops and make a selection based on how I'm feeling and what I'm thinking. The book I pick usually seems to have a definite karmic connection!

In the occupation in Afghanistan, there are tragedies as well. It's not as bad as in Iraq because there are fewer American troops. But, as I describe in the book, going out on patrol and coming into a village, the soldiers found a stash of documents and decided this was Taliban propaganda.

What works in a story is very different than what works in cinema. For example, dialogue in books: If you translate it too faithfully, it sounds a little stilted, because we often don't speak the way we speak in novels. Oral language is much punchier, shorter sentences.

In a movie, you need good actors, whereas in a book, you don't, unless you have a really bad imagination. In a book, your imagination will do the acting for you. Also, the process of revelation is often different. Tension is achieved in a different way.

Books are something social - a writer speaking to a reader - so I think making the reading of a book the center of a social event, the meeting of a book club, is a brilliant idea.

The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.

Books, like people, can't be reduced to the cost of the materials with which they were made. Books, like people, become unique and precious once you get to know them.

Art is a gift: you create and then you give away. How readers receive that gift is their business. If they hate it, that’s their response to it. Others respond by liking it. Either way, that is their interaction with the book, which is no longer mine.

No one like crying, but tears water our souls. So, perhaps my thanks should be to allow you to cry for the Chinese women in my books.