Book Quotes - Page 481

Brian Myers takes a fresh approach. He largely ignores what the regime tells the outside world about itself, but concentrates instead on what North Koreans themselves are supposed to believe, paying special attention to the North Korean narratives and mass culture, including movies and television shows. (...) There are few books that can give the world a peek into the Hermit Kingdom. The Cleanest Race provides a reason to care about how those in North Korea see themselves and the West. It is possibly the best addition to that small library.

There are no bad books any more than there are ugly women.

I feel about lending a book the way most fathers feel about their daughters living with a man out of wedlock.

We don't simply read books. We become them.

Warmth, perfume, rugs, soft lights, books. They do not appease me. I am aware of time passing, of all the world contains that I have not seen, of all the interesting people I have not met.

I like extravagance. Letters which give the postman a stiff back to carry, books which overflow from their covers, sexuality which bursts the thermometers.

The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me. I broke the thread which held it and yanked it out. I went back to bed and said: I have just spat out my heart.

When people tell me they are going to go scrapbooking, I say, 'Why don't you make it yourself.' It's like chocolate-chip cookies. People buy the cookie-dough roll and slice it, and then they lay it on a cookie sheet. That's not making chocolate-chip cookies.

Your ability to navigate and tolerate change and its painful uncomfortablene ss directly correlates to your happiness and general well-being. See what I just did there? I saved you thousands of dollars on self-help books. If you can surf your life rather than plant your feet, you will be happier.

Besides the alternate universe offered by a book, the quiet space of a museum was my favorite place to go. My mom said I was an escapist at heart . . . that I preferred imaginary worlds to the real one. It’s true that I’ve always been able to yank myself out of this world and plunge myself into another.

Literature belongs first and foremost to the language in which it is being written. The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.

The understanding that women are not inferior across the world, it's something that you can get from school, not only from the book but also from chatting with other kids. It's a big impact. One of the curious things is that even when - and this we found from studies - the schools are doing pretty badly in terms of their education, about mathematics and literature and language, going to school transformed people because I think the action of schooling, the activity, is very important.

A foolish man thinks he knows everything. A wise man knows he doesn't," Finn replied absently, still looking down at the book. "That's such a fortune-cookie answer," I said with a laugh, and even he smirked at me.

The HARDEST PART about BREAKING UP is the next day, opening your notebook only you see I LOVE YOU scribbled all over.

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now.

I read a book called The Art of Loving. A lot of things seemed clear while I was reading it but afterwards I went back to being more or less the same.

I have nothing from my childhood. I think you carry those books with you. It's like in [Ray] Bradbury's "Fahrenheit 451." Books are outlawed in this future society so people become the book they love by memorizing it.

It reminds me how funny living in LA can be; You go to a friend's barbecue and you leave the face of Victoria Beckham's look book.

The basic idea of a hero rising up to represent an oppressed or disenfranchised group of people is as true to hip-hop as it is comic book lore.

Take emceeing, one of the foundations of hip-hop culture. A guy grabs a mic, steps up on stage and becomes a spokesman; the voice of the people. If anything, that might be the strongest similarity between hip-hop and comic books, with super heroes, like many rappers, fighting to make a change.

We had many books and pictures... my parents' way of life doubtless left a lasting impression on me. They created an atmosphere in which a certain kind of freedom could exist. This may well account for my seeking a related sense of liberty as I grew up.

There's a point at which writing a book, or a long article, begins to feel like mental labor, and it's too painful to connect in the world in any real way mid-process. The only way to survive is to write until it is all said and done.

As a child I loved fantasy books, I loved Harry Potter and the idea that there is something 'out there' is inspiring to kids and inspiring to me. It's exciting and I think people can relate to it. Even if things are difficult or bad for you, the idea that there is something special within you is positive and true.

In my garden I spend my days; in my library I spend my nights.