Book Quotes - Page 470

Walden is the only book I own, although there are some others unclaimed on my shelves. Every man, I think, reads one book in his life, and this is mine. It is not the best book I ever encountered, perhaps, but it is for me the handiest, and I keep it about me in much the same way one carries a handkerchief - for relief in moments of defluxion or despair.

I've been writing since I was very young, even before I was a teenager. As far as I'm concerned, I am a writer - whether my writing's spoken or written in a blog, paper, book or printed on the side of a submarine.

I hope that books don't go the way of albums and CD, large format albums, and physical product.

My fan fiction is canon.

I did some writing and bought a book, and have been working on that as a film to act and direct in.

As far as exercising goes... watch for my next book, How I died while Jogging.

The words in this book are all phooey. When you say them, your lips will make slips and back flips and your tongue may end up in Saint Looey!

Another thing rappers, I admire your rebellious spirit, but materialism is a form of mental slavery. Slow down on the jewelry, pick up a book.

Books have souls. Or so romantics like me tend to think.

[On Lou Tellegen's Women Have Been Kind:] The book ... has all the elegance of a quirked little finger and all the glitter of a pair of new rubbers.

Like many a better one before me, I have gone down under the force of numbers, under the books and books and books that keep coming out and coming out and coming out, shoals of them, spates of them, flash floods of them, too blame many books, and no sign of an end.

It's easier to write about those you hate — just as it's easier to criticize a bad play or a bad book.

This must be a gift book. That is to say a book, which you wouldn't take on any other terms.

Anthologists are lazy fellows who like to spend a quiet evening at home raiding good books.

All the children seem to be coming out quite intelligent, thank goodness. It would have been such a bore to be the mother of morons, and it’s an absolute toss-up, isn’t it? If one could only invent them, like characters in books, it would be much more satisfactory to a well-regulated mind.

I think if I were reading to a grandchild, I might read Tolstoy's War and Peace. They would learn about Russia, they would learn about history, they would learn about human nature. They would learn about, "Can the individual make a difference or is it great forces?" Tolstoy is always battling with those large issues. Mostly, a whole world would come alive for them through that book.

As I stood with her on the platform - she impatient, tapping her foot, leaning forward to look down the tracks - it seemed more than I could bear to see her go. Francis was around the corner, buying her a book to read on the train. 'I don't want you to leave,' I said. 'I don't want to, either.' 'Then don't.' 'I have to.' We stood looking at each other. It was raining. She looked at me with her rain-colored eyes. Camilla, I love you,' I said. 'Let's get married.

I am an author of Christian Fantasy. My first 7 books were Christian Romance, but I came over to the Dark Side when I heard there were cookies.

Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."

We like books that have a lot of dreck in them, matter which presents itself as not wholly relevant (or indeed, at all relevant) but which, carefully attended to, can supply a kind of "sense" of what is going on. This "sense" is not to be obtained by reading between the lines (for there is nothing there, in those white spaces) but by reading the lines themselves looking at them and so arriving at a feeling not of satisfaction exactly, that is too much to expect, but of having read them, of having "completed" them.

As Jules Renard said, no matter how much care an author takes to write as few books as possible, there will be people who haven't heard of some of them.

The violence in the Executioner books is merely stage-dressing for dramatizing the commitment and dedication Bolan has to his ideals and the lengths to which he will go to honor them. We can learn this message of love and commitment and carry it into our own lives without the violence and bloodshed, and of course it is this wish that fuels the writing. I do not want my readers to pick up a gun and follow Bolan's example; I want them to be stirred by his commitment and to find ways to meet the same challenges without resort to violent means.

I never thought I'd be a writer. I never thought I'd be able to read a book, let alone write one. So if books like this inspire kids to write, or even read a whole book, I think it's good.

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes.

The difference between the world of pictures and the world of printed matter is extraordinary and hard to define. A picture is like the masses: a multitude of impressions. A book on the other hand, with its linear advance of words and characters seems to be connected to individual identity.