Going to Europe, someone had written, was about as final as going to heaven. A mystical passage to another life, from which no-one returned the same. Those returning in such ships were invincible, for they had managed it and could reflect ever after on Anne Hathaway's Cottage or the Tower of London with a confidence that did generate at Sydney. There was nothing mythic at Sydney; momentous objects, beings and events all occurred abroad or in the elsewhere of books.
My father was sleepless most of his life. So by the age of five, I was awake with him all night long, watching bad television or we'd lie in the same bed, and I'd read my comic books while he read his latest spy or mystery novel.
They've been screaming about the death of literacy for years, but I think TV is the Gutenberg [printing] press. I think TV is the only thing that keeps us vaguely in democracy even if it's in the hands of the corporate culture. If you're an artist you write in your time. Moaning about the fact that maybe people read more books a hundred years ago - that's not true. I think the same percentage has always read.
Bush has not read enough books to have a developed moral sense. The fewer books you read, the easier it is to become fundamental. In some ways my antiwar stand here is also a stand on anti-literacy. Someone should get G.W. into a reading program, get him to join a book club. Have him read Hamlet, King Lear.
I would hope that people, no matter what age, would find something to identify with in my books, pick one up and experience a personal sense of discovery. That's great. But for them, not for me.
With literature, sometimes a book is presented in the media as being say, a Muslim story or an African story, when essentially it's a universal story which we can all relate to it, no matter what race or social background we come from
Nobody has time to write a book. Some people just do it anyhow.
The mistake so many marketers make is that they conjoin the urgency of making another sale with the timing to earn the right to make that sale. In other words, you must build trust before you need it. Building trust right when you want to make a sale is just too late.
Above all, translators must be native speakers. It’s not because they speak the language better – I understand that sometimes a foreigner can learn a language better than native speakers. It has more to do with intimate knowledge of the society for which the book is being translated.
No book can be so good, as to be profitable when negligently read.
The book-keeping of benefits is simple: it is all expenditure; if any one returns it, that is clear gain; if he does not return it, it is not lost, I gave it for the sake of giving.
Ive never really been a big sci-fi guy or a big comic book guy.
Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.
Most comic book creators consider about making characters that people recognize and that can carry across many books. Something that becomes a trademark. For me I have always just followed IDEAS, and that takes me into a whole range of things.
Bond's introduction: "Bond. James Bond." Repeated in 17 subsequent Bond films. Number One in the Top Ten Most Famous Movie Quotes. -The Guinness Book of Film
A print book is really a kind of tree zombie.
We're at a point nowhere it has to change. We have characters that are not alive that are alive in the book. We have characters that never appeared in the book. We have a lot of events that didn't quite happen the same way in the book. But there's so much in the book, stuff we've passed in the timeline that I really thought was awesome, that I really wanted to get to.
I do think there are always ways to create what seem like insurmountable powers, but then suddenly you find their limitations and that's the nature of comic book storytelling - always has been.
I root for all movies, but I especially root for good comic book movies. It's the best, most interesting genre going right now.
I used to have weird practices in crowded used-book stores in New York where I'd go in and just stomp my foot and see what fell from the shelf. And of course, because it's an unexpected encounter, there's always some magic that comes from it.
I immersed myself in The Periodic Table gladly and gratefully. There is nothing superfluous here, everything this book contains is essential. It is wonderful pure, and beautifully translated...I was deeply impressed.
But privately when things got very bad I often looked into books to see whether I could find some helpful words, and one day I read, "The forgiveness of sins is perpetual and righteousness first is not required." This impressed me so deeply that I went around saying it to myself. But then I forgot which book it was.
One of the things that did intrigue me about when I read the pilot - because I had not read the books before doing the show - was the mystery aspect of it. I didn't feel that it was just a crime-based story. It really does have that mystery element, and it felt like a throwback to other shows in the past that had a bit more of that. There was something iconic about it. The fact that it's set in Boston gave it a feeling that was different to me. So, I am definitely more of a fan of mysteries than I am of a circular crime-based genre.
Regarding fiction, our concern shouldn't be the author's origin (and of course I am forgetting the sales people right here), because that is actually merely a simplified, almost insulting judgment of the book by its cover - or rather by the name and origin of its author - an act of discrimination if we want to say it in a more provoking way, but at the least an act of ignorance and false empathy.
Instead of giving it [war] a rest I continued pursuing more research, talking to more people on the subject as if I was to please this aftermath of the book by knowledge that was more historical and psychological than literary and aesthetical.
