Book Quotes - Page 398

How I Shed My Skin is, simply put, a brilliant book. While I was reading, I kept thinking two things. One, this is totally shocking. Two, it's not at all shocking, but a familiar part of my life and memory. Grimsley's narrative is straightforward and plain-spoken while at the same time achingly moving and intimately honest, and it does more to explain the South than anything I've read in a long, long time.

I certainly want to continue to write in a way that's intimate. I love books where you feel you're having a romance with the writer.

We have endless books about whether Jesus existed, or whether the Jesus we have learned about is really accurate and historical or mythical. We have endless complicated tracts on fine technical issues, but we don't explore Jesus' way to happiness and peace, or try to understand his feelings about God and creation of how he views our relationship with God, or his attitude toward human weakness. Understanding these things could help us immensely in our own search for inner peace and a meaning to life.

Because every book of art, be it a poem or a cupola, is understandably a self-portrait of its author, we won't strain ourselves too hard trying to distinguish between the author's persona and the poem's lyrical hero. As a rule, such distinctions are quite meaningless, if only because a lyrical hero is invariably an author's self-projection.

Where mathematics and spirit join, where proof of the existence of mystery-salvific mystery-shimmers just below the surfaces of human perception, experience and the linguistic veil itself, Killarney Clary's new book-her best to date-dwells, plumbs, persuades and thrills.

I confess that I have not cleared a path through all seven hundred pages, I confess to having examined only bits and pieces, and yet I know what it is, with that bold and legitimate certainty with which we assert our knowledge of a city, without ever having been rewarded with the intimacy of all the many streets it includes.

I would much rather read a book about Ty Cobb, who was quite possibly a sociopath. It makes for more interesting copy. Some of the most memorable characters in literature were villains.

To sit in a big library amongst books and students, that was pretty cool. It was a novel experience for me.

My father had a small Estate in Nottinghamshire; I was the Third of five Sons.

We would do well to ask ourselves the kind of fundamental questions posed by [Buruma's] erudite and thought-provoking book.

You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.

I want an infinitely blank book and the rest of time.

I write books to change the world. Perhaps I can only change one little piece of that world. But if I can empower teachers and good citizens to give these children, who are the poorest of the poor, the same opportunity we give our own kids, then I'll feel my life has been worth it.

My overall artistic goal is to marry graphic design with comic books and traditional storytelling.

You're either reading a book or you're not.

To me, the point of a novel is to take you to a still place. You can multitask with a lot of things, but you can’t really multitask reading a book.

Just looking at pictures used to be considered cheating. No longer. The graphic novel is booming. Comics, heavily illustrated texts, books with no words are now accepted as reading.

I taught elementary school and painted apartments for ten years. Now I write full-time and never have to change a thing I write. Every book comes to me in a flash of inspiration and takes me about two seconds to finish. The longer books, like the Time Warp Trio novels, take a little longer to write - more like four seconds.

Those who would assail the Book of Mormon should bear in mind that its veracity is no more dubious than the veracity of the Bible, say, or the Qur'an, or the sacred texts of most other religions. The latter texts simply enjoy the considerable advantage of having made their public debut in the shadowy recesses of the ancient past, and are thus much harder to refute.

As a youngster I used to try to pick up any bits of wisdom about the guitar I could. It's not like now where you have books and books about every aspect of anything. Any little pearl of wisdom was welcome back then.

Barrie and the wonderful characters he created, Lewis Carroll, even French literature, like Baudelaire or over in the States, Poe, you open those books, you open The Flowers of Evil and begin to read. If it were written today, you'd be absolutely stupefied by the work. It's this incredible period where the work is timeless, ageless. So yeah, I just love all those guys. It's my deep passion in those great 19th century writers.

And then, 'Why is a raven like a writing desk?' Those things just became so important to the character. You realize that the more you read it, if I read the book again today, I'd find 100 other things that I missed last time. It's a constantly changing book.

The physics of undergraduate text-books is 90% true.

Oh for a book and a shady nook, Either indoors or out, with the green leaves whispering overhead, or the street cries all about. Where I may read at all my ease both of the new and old, For a jolly good book whereon to look is better to me than gold

As theories increased, simple medicines..were forgotten, at least in the politer nations. ...Medical books, were immensely multiplied,...(towards) an abstruse science, quite out of reach of ordinary men.