Don't listen to the politicians, always look at the artists, they're the first to tell us where we're going.
Artists, no matter how good their intentions, are always slower than they think.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
Comic artists have always been part of my social circle. I just like hanging out with artists, and I always see them at conventions or a store signing or something. "Hey, we should do something together."
Mitt Romney is a businessman, a turnaround artist, a CEO. That is who he is. The former governor has experience in the public and private sector.
I care deeply about anyone who listens to my music. That's a sacred connection between the artist and the person who appreciates what you do - it's beyond words how meaningful that is. But I'm not going to stifle myself from trying new things because I feel like people that are already into my stuff might not like it.
"The Moderately Talented..." is just a commentary on the conflict that happens when a young artist girl looks up to you, but you're attracted to them in a different way than they are to you.
I've gradually fooled myself into becoming a real painter... I really just like to sit in my air-conditioned Rome painting studio surrounded by Medieval and Renaissance architecture and to hold a tube of Alizarin Madder Lake in my artist's hand and marvel at the shiny goop inside.
I want to be commercial, so imagine Disney people mixed with underground techno people... mixed with sass. An example of an underground techno person would be that French artist Yelle. She's all in French, so I can't understand a word she's saying, but her beats are really cool, and that's something that I want to do...but mix Disney in there, and that's what I want.
I don't really have any secret shames. If I like an artist, I like them. Nothing to feel embarrassed about.
There's something fascinating about watching artists draw.
Show me the artist anywhere who's had an utterly stable mental life, and I'll buy you hot dinners for the rest of your life.
If you really want to break it down, on a small movie everybody knows that they're there for artistic reasons to do something special to make something amazing, and they're not going to get their normal hotel and they're not going to get their trailer, but they're willing to forgo that - and of course the salary - because they want to do something really special. On a big movie, most people are getting paid a lot of money, and so they're there to do the work.
I realized that the artists who managed to fight through this recession have a better shot at longevity than most. The recession was a test of your resolve and passion. I think as we come out of these rough times we will be more adept at survival and will have gained the skills necessary to make a long fruitful artistic career. There will still be those that fade away but we are more likely to grow and bend with the times and prosper.
I think the artists of the recession will end up being a very strong force in the future. They learned about survival.
In the 'west' success is defined in purely material terms. He with the most money wins... We should question, speak out and work for a better society with a whole different definition of what is deemed a successful artistic life.
The one thing about being a creator, about being an artist, is that you get to explore your ideas. We're fortunate that we're in the position to do that, and I don't take it for granted.
The longer you garden the better the eye gets, the more tuned to how colors vibrate in different ways and what they can do to each other. You become a scientist as well as an artist, with the lines between increasingly blurred.
I wanted to do my artistic work, and in Iran you have censorship. It was difficult for me to do the work I wanted to do.
I'm not a politician. I don't know how to solve the problems of the world. But as an artist, I have one duty: to ask questions.
You have to be narcissistic to be an artist. You have to think you are the centre of the whole thing otherwise why do you create? The only thing is to recognise it, and then you make the best of it.
I identify first and foremost as a fine artist. Even the way that I put words together; this could be called painterly and the combinations don't always make sense. I think there are a lot of people who are fine artists and musicians also. I think it's a common thread, the way the brain words.
I have to have music playing constantly. It creates the tone and mood for anything you are doing. I specifically love rock, and Jimi Hendrix is one of my favorite artists. My favorite song is 'Red House,' because it's heavy on the blues.
An artist is maybe not always having a normal life.
A universal sound is about having everybody be able to relate to it whether you're in New York, LA, London or Australia. You have to be able to universally be brought back to a place where they can relate to you as an artist.