Artist Quotes - Page 251

There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.

I was more than just a moody artist.

A truly great artist has many talents.

The real tough thing is working with actors. I'm a designer and used to working with artists, so there is some familiarity with the personalities that come up, but actors are their own animal.

This Classic Rock 'n Blues Tour / Hippiefest roster promises a once-in-a-lifetime opportunity to see some of the best, legendary artists of our lifetime. I can't wait to be a part of it.

Nothing has really changed. We had bootleg albums in the '60s and today we have Internet file sharing. They just found a better way to do it -- get music for free. What's great about today is an artist has an opportunity to go direct to their audience without dealing with a middleman. People can go directly to the web for CDs, DVDs and downloads. I think that's the best thing that's happened, that people's music is being flashed around the world.

But all I could see was her. No skill of mine, no artist anywhere, could’ve immortalized how gorgeous she was. It was impossible to believe she’d ever had any doubts about her body. The firelight shone on her skin, golden and perfect, making her look like some radiant goddess of legend. I wanted to kneel before her and offer eternal obedience.

Metaphors. This was the cost of making out with an artist.

Emerald green eyes studied us from a face that could have been sculpted by one of the classical artists I so admired. Shocked, I dismissed the comparison as soon as it popped into my head. This was a vampire, after all. It was ridiculous to admire him the way I would some hot human guy.

Well, first of all it's entertainment. That stops us becoming too pretentious or thinking we're great artists.

First of all, computer animation is certainly a tremendous and viable medium today. But the warmth and personality derived from 2-D animation, in my opinion, cannot be surpassed. Certain stories lend themselves well to 3-D animation and I won't labor this with naming them, but in my bones, I still respond more emotionally to the artists feel in 2-D. You feel the 'actor' in the animator more personally...it's hard to explain.

If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.

Nirvana's amazing, but they're just never going to find another one, there's no artist development anymore, you're never going to have a U2, you're never going to have a Bruce Springsteen, those guys didn't make it off of their first single and real artists probably won't make it off of their first singles.

I create for artistic intent only and do everything from life.

There are so many great artists, I think, who kind of suffer from being icons, legends, acknowledged masters.

It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.

I trained as an artist originally, so I know what a nice human body looks like, and I would like to look like that notion, and of course I never will. But I've got past that.

She was an artist. She held opposites in her mind.

I play piano and guitar and I do write my own stuff so to a certain extent I know what I want to do in regards to music. But I'm still finding out what kind of music is my favourite kind to listen to, never mind do myself so I've got a lot of time to find out myself and develop myself as an artist.

I do feel like a fraud a lot of the time because I've never been interested in people who say 'I'm a writer', 'I'm an artist'. Too much is made of the role and not enough of the work. We are such a celebrity-driven age and a status-driven age, that the status becomes more important than the actual work.

I think the popular concept of the artist is a person who has this great passion and enthusiasm and super emotion. He just throws himself into this great masterpiece and collapses from exhaustion when it's finished. It's really not that way at all.

Have you ever felt so at one with the world, with the universe, with everything that is, that you were overcome with love? That is reality. That is the truth. What we make of it is up to us, as the painting of the sunrise is up to the artist. In our world humanity has strayed from that love. It lives hatred and power struggles and manipulations of the earth itself for its own narrow reasons. Continue and no one will see the sunrise. The sunrise will always exist, of course, but people on earth will know nothing of it and finally even stories of its beauty will fade from our knowing.

When I think about a Chicago sound, I think about the Great Migration from the South. Many of Chicago's black artists are from Mississippi, Arkansas, and with them was brought blues and gospel music.

Real artists offer authenticity, not just money.

[My father did] advertising. That's why I got into this business. I think because we're really boxes of soap - actors and singers. You're artists, but in the public eye it's a matter of advertising.