The reason you might choose to embrace the artist within you now is that this is the path to (cue the ironic music) security.
An artists is someone who does something for the first time, something human, something that touches another.
I have a more direct avenue to expression as an artist than I ever would as a politician.
You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.
I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.
The artist finds a greater pleasure in painting than in having completed the picture.
I was always artistic - right from childhood - but my love of painting came a bit later. It followed my love of music.
Music tells you about the artist and what they were thinking about at the time, because the person has to think about it to sing it.
There's definitely some sort of dissent brewing between labels, publishing companies and artists. A lot of it has to do with older licensing schemes.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
I wouldn't even say "Imagine" is political. I think it's…more just sort of declaration of humanity. I don't find his political songs to be the ones that I go home and listen to. And I would say that of any artist. They're not the ones that interest…
I don't think an artist should keep themselves categorized in a specific box.
To put it in my music, that's not the message I am trying to send out. That's not the type of artist I am trying to be.
"The Cursed Wheel" is the heart of the whole year on All-Star. All-Star is a series that's largely compartmentalized so that every artist can reinvent a villain and have Batman go up against the villain in a way that's pretty singular.
My first influences were superhero artists.
By stripping down an image to essential meaning, an artist can simplify that meaning.
We're artists. We cry out to be exploited on some level. Write a dissertation on my work. Write a biography about me.
What the artist should be asking is, "Am I being honest? Am I being myself? Am I searching for the truth? Am I reporting my experience of life and the world as I see and experience it?
In terms of covers, it's always nice to do ones that aren't actually getting played by the original artist anymore. I just love the song; I love that band, and it's nice to be able to play it.
I think that when you do any kind of theatrical form, (you can't really do this in the theater) the task as an artist is to reach some form of catharsis yourself, and express something that allows an audience to have some form of catharsis. If there's no discovery in what you do, if there's no struggle in what you do to have that discovery, then, there's no meaning in what you do.
If humor is not present, I tend to be concerned about the artist, or distrusting of what they're presenting - unless there is an obvious tragedy being talked about.
I have always considered myself an artist and painting was the first medium that I claimed.
It seems hard for the American people to believe that anything could be more exciting than the times themselves. What we read daily and view on the TV has thrust imagined forms into the shadow. We are staggeringly rich in facts, in things, and perhaps, like the nouveau riche of other ages, we want our wealth faithfully reproduced by the artist.
As a non-western artist, you have to ask yourself a question fairly early in your life: do I want to become a bridge maker, do I want my culture to be understood by the west? I have no intentions of doing such things. I'm fine being a little strange to a non-western audience. It doesn't bother me if my book doesn't change a generation of American readers.
It's always an interesting thing that happens between an artist and their work. People collapse the two, and for any artist, there will be a long period of being considered one thing before being considered another - whether despicable, rhetorical, or poetic. But we all know that these things are made with a huge amount of will and intention. Yet ultimately they're out of our control.