Artist Quotes - Page 213

Only the bad artists of the nineteenth century were frightened by the invention of photography; the good ones all welcomed it and used it. Degas liked it not only because it provided an accurate record, but because the snapshot showed him a means of escape from the classical rules of design. Through it he learnt to make a composition without the use of formal symmetry.

When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.

Coming out of graduation, I didn't immediately know what direction I wanted to do so I decided to just stay as an intern until it really kind of dawned on me and I felt more compelled one way or the other. So I gave it a few years and then after two years it was really clear that deep down I missed being a full time creative artist. Ironically, I started getting clients who were all in the entertainment industry and a lot of them were in comedy!

A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.

What's interesting about young black American artists within the twentieth century, and increasingly within the twenty-first as well, is that there's this expectation of a political corrective that demands that the artist fixes the ills of the world.

There's nothing shocking inherently about that, given that so much of the way that artists are taught is by copying old master paintings.

Is it the responsibility of the colored artist or the ethnic artist to create works that are designed to exist in opposition to a certain political structure?

Artists are losing the choice to use film. People have a love for it - the grain, how it feels, the texture.

Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.

In many a poetic work, one gets here and there, instead of representation merely a title indicating that this or that was supposedto be represented here, that the artist has been prevented from doing it and most humbly asks to be kindly excused.

Even a friendly conversation which cannot be at any given moment be broken off voluntarily with complete arbitrariness has something illiberal about it. An artist, however, who is able and wants to express himself completely, who keeps nothing to himself and would wish to say everything he knows, is very much to be pitied.

Through artists mankind becomes an individual, in that they unite the past and the future in the present. They are the higher organ of the soul, where the life spirits of entire external mankind meet and in which inner mankind first acts.

Can we expect the redemption of the world from scholars? I doubt it. But the time has come for all artists to join together as a confederation in an eternal league.

As long as the artist invents and is inspired, he remains in a constrained state of mind, at least for the purpose of communication. He then wants to say everything, which is the wrong tendency of young geniuses or the right prejudice of old bunglers. Thus, he fails to recognize the value and dignity of self-restraint, which is indeed for both the artist and the man the first and the last, the most necessary and the highest goal.

There's only so much artistic output that I can actually expel at any one given time.

An artist should make concessions to the listener. That is why Bruckner dedicated one of his symphonies to the Good Lord.

Artists have a right to be modest and a duty to be vain.

An artist's career doesn't happen in the cycle of one week of news. An artist's career happens in a lifetime, and if you're a true artist you're willing to die for what you believe in.

As a label I don't care about piracy. I want the music that we [my band] love to be heard by as many people as possible. The more people like the music we put out, the better the label and artists will do. If anyone genuinely likes what we do they will find us, buy our vinyl or come to see the artists play live.

As an artist, you want to stretch. That's the only way you're going to grow. If I stay inside my comfort zone, do roles that I've done before, then I'm never going to get better as an actress.

I wasn't born an artist. I was really good in science as a kid. I probably shouldn't have been an artist because I'm much more interested in science. But I was raised by artists. I can't really escape it.

Group Material is itself collaborative, which is non-hierarchical and we don't use the corporate model which is along lines of expertise but we work together and take responsibility as a group for every aspect of the work. And then there's a collaboration or dialogue with those artists and non-artists we work with, in terms of participation in the various projects.

In order to thrive as artists we need to be available to the universal flow. When we put a stopper on our capacity for joy by anorectically declining the small gifts of life, we turn aside the larger gifts as well.

Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one

Everybody's an art critic.