The measure of artistic merit is the length to which a writer is willing to go in following his own compulsions.
I have 12 paintings of Kaufman art. He is an amazing artist.
Labels only confuse people. The smarter people recognize artists who transcend categories. But I always try to entertain. It's in my nature; writers are born to entertain. If that means working ostensibly within a genre, fine.
I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.
So to me it's very similar in terms of trying to distill within the image, those elements that are gonna form, hopefully, a compelling visual statement.
He scarce had ceased when the superior fiend Was moving toward the shore; his ponderous shield Ethereal temper, massy, large and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views At evening from the top of Fésolè, Or in Valdarno, to descry new lands, Rivers or mountains in her spotty globe.
I think the music reflects the state that the society is in. It doesn't suggest the state. I think the poets and musicians and artists are of the age - not only do they lead the age on, but they also reflect that age. [...] Like The Beatles. We came out of Liverpool and we reflected our background and we reflected our thoughts in what we sang, and that's all people are doing.
All kids draw and write poetry and everything, and some of us last until we're about eighteen, but most drop off at about twelve when some guy comes up and says, "You're no good." That's all we get told all our lives. "You haven't got the ability. You're a cobbler." It happened to all of us, but if somebody had told me all my life, "Yeah, you're a great artist," I would have been a more secure person.
The greatest artists always come round to simplicity.
I see the new Latin artist as a pioneer, opening up doors for others to follow. And when they don't open, we crowbar our way in.
In the 1970s, for all the Stevie Wonders, I'm sure there were five artists that were making forgettable music.
Agents of disruption, subversion, sabotage and disinformation tunnelers and smugglers, listeners and forgers, trainers and recruiters and talent spotters and couriers and watchers and seducers, assassins and balloonists, lip readers and disguise artists.
You need others. Too often people think that being unique means being isolated, and being a great artist means coming up with genius ideas out of nowhere. Nothing could be farther from the truth.
Artists never seem to get bored with life.
Cartoonists are untrained artists, while illustrators are more trained.
All artists get better with age. The more you draw, the better you're going to get.
Obviously businesses do not operate like an artists' commune. Business involves deploying finite resources to achieve goals in a competitive environment to make money. That is something creative people understand.
There were no jewelry hidden. Walt wanted this atmosphere: They were supposed to live here, they've been outside somewhere, but they could come back at any minute and catch us.
The important man is not the artist, but the businessman who, in the marketplace and on the battlefield, holds the reins in his hands.
Study the great brush drawings of the Chinese and Japanese... When we try to imitate their conventions for perspective, form and texture we lose the content, because those artists were part of an ancient tradition. Our tradition changes rapidly, our schools of thought come to fruition quickly and decay again. We see differently.
The artist seeks to record his awareness of order in life.
An artist's working life is marked by intensive application and intense discipline.
The only people who are afraid of file sharing are the people whose albums are so dull presentation-wise that nobody cares about owning the actual finished product, and the people who have so little connection to their listeners that said listeners have no reason to care whether the artists they like are getting reimbursed for their efforts.
What I didn't realize when I was in school and what I suspect a lot of young writers today don't get either is that you have to create the world that you want to exist in as an artist.
One of the things that kept most comics from being monthly was that very few artists could produce 24 pages per month. Jack Kirby was very much the exception to the rule, but his towering presence at Marvel started to dictate the whole shape of the industry - and that's where problems set in!