Animal Quotes - Page 197

If some readers take away the idea that animals deserve better treatment in general, then I certainly won't argue.

I actually quite like working with kids and I like working with animals, which everybody says you shouldn't do. It makes you feel like you're not acting, as soon as you have someone who's providing stuff to react to.

Recently I stood in the desert, far out side of L. A., and watched the sun set on a circus tent from 1930. Every where stood animals: elephants, tigers that should be loaded into a steam train. 300 extras in costumes raced around, the modern world had disappeared totally. Although that was totally fake, it still happened directly before my eyes! That was my perfect day. I would be gladly experience that every day. It happens continually to me: It calls itself work. That is wonderful and more than enough.

It happened while I was filming “Water for Elephants in which my partner is Reese Witherspoon. We had a scene with elephants but there were so many paparazzi around that it was scaring the animals and it was impossible to film. Out of the blue, fans, that were waiting for autographs, had enough and circled around the paparazzi. Teens made big guys run away. It was unreal! I was pleased.

I looked to animal and insect imagery to develop the lack of substance and wasted motion that my Terminator has. I tried to tap into the killer instinct inherent in animals, where they are locked onto a target and will walk through anything that gets between them and their intended target.

The particular province of the shaman is the province of soul, that which feeds our embodied life, or fails to feed it. From a shamanic point of view, the relationship with animal allies, or animals that show themselves in animal forms, is a vital part of living. We're fully embodied, with full access to our natural soul energy.

The role of the animal messenger in the dreams of modern city-dwellers is often to recall us to our wild side, and the natural path of our energy.

The only difference between us and the animals is our ability to accessorize!

Adam Smith's uncritically enthusiastic modern disciples portray his invisible hand theory as saying that market forces reliably harness selfish individuals to serve the common good. That's often true, but as Darwin recognized clearly, many traits that serve the interests of individual animals make life more difficult for larger groups.

The only animal capable of giving man a fair fight is man. Actually, among ourselves, we fight unfairest of all, and the more we practice, the nastier we get.

Science comforting man's animal poverty and leisuring his toil, hath humanized manners and social temper, and now above her globe-spredd net of speeded intercourse hath outrun all magic, and disclosing the secrecy of the reticent air hath woven a web of invisible strands spiriting the dumb inane with the quick matter of life.

Sex is a sideshow in the world of the animal, for the dominant color of that world is fear.

By the data to date, there is only one animal in the Galaxy dangerous to man -- man himself. So he must supply his own indispensable competition. He has no enemy to help him.

When we deny the spiritual dimension to our existence, we end up living like animals. And when we deny the physical, sexual dimension to our existence, we end up living like angels. And both ways are destructive, because God made us human.

I turned to human suffering because - this may sound odd - animal suffering is more difficult for me to deal with.

My colleague Senator John Ensign of Nevada told me a story that epitomizes the selfishness of our culture: When I was a teenager, I had a sticker in my car with a picture of a bear scratching himself on the tree, and under it was the saying, 'If it feels good, do it!' That was the motto of the '60s and the '70s, and certainly it is the motto today. The image of the bear scratching himself highlights a view of human beings as animals, and that people should do what pleases them at the moment without a thought to the broader long-term consequences of their actions.

You put the Set animal in your locker? Do you know how much strength that requires?” “Yeah,” I said. “I was there.

He dropped the rest of the Cokes into the grave and pulled out a white paper bag decorated with cartoons. I hadn’t seen one in years, but I recognized it — a McDonald’s Happy Meal. He turned it upside down and shook the fries and hamburger into the grave. “In my day, we used animal blood,” the ghost mumbled. “It’s perfectly good enough. They can’t taste the difference.” “I will treat them with respect,” Nico said. “At least let me keep the toy,” the ghost said.

So you've got no name?" I asked. "They couldn't think of one ugly enough?" The creature snarled, stepping over the unconscious policeman. "Set animal is too hard to say," I decided. "I'll call you Leroy." Apparently, Leroy didn't like his name. He lunged.

The Set animal’s jaws were pried open so fast that it yelped and let go of my arm. I stood, now encased in a magical barrier twice my normal size, and kicked Leroy into a wall. Good! said Horus. Now dispatch the beast to the netherworld! Quiet man. I’m doing all the work.

The real tough thing is working with actors. I'm a designer and used to working with artists, so there is some familiarity with the personalities that come up, but actors are their own animal.

Whether it's simply some fierce animal joining of mates or a sublime merging of souls, she is mine, and I am hers.

I did, however, manage to do it without hurting those dogs. Very considerate of me. Don't let it be said I'm not an animal lover-that wretched kitsune aside.

Victor smiled through the pain and the blood. "Of course you have. I used to think Belikov was the savage one, but it's really you, isn't it? You're the animal with no control, no higher reasoning except to fight and kill.

Since I’m presuming you don’t mean you finally bought him a leash, let me say simply that there is a big difference between allowing an animal to ravage you and allowing yourself to be ravaged. One is common. The other is art. It is planned. Crafted, even. Only capable of being done by a master.